IRO | Broderie Anglaise Long Skirt - Dusty Red
A skirt that refuses to be demure. IRO’s Broderie Anglaise Long Skirt arrives with a deliberate tension: the waist is a froth of gathered ruffles, elasticized for ease, while the body drops in a long, lean column that skims rather than clings. The cut is architectural yet soft, a study in controlled volume. Horizontal bands of broderie anglaise—those tiny, repeated eyelet motifs—puncture the fabric in measured intervals, creating a subtle grid of texture that breaks the light as you move. It is a piece that reads as both romantic and rigorous, a paradox that feels distinctly Parisian. The hand of the fabric is crisp without being stiff, a cotton-based weave that holds its shape but yields to the body’s motion. The broderie anglaise is not embroidered over a base; it is cut into the cloth itself, leaving delicate openwork that breathes against the skin. This gives the skirt a tactile lightness—cool to the touch, airy in weight—while the horizontal patterning adds a quiet structural rhythm. The ruffles at the waist are softly gathered, never fussy, and the elastic waistband ensures a clean, comfortable fit that sits naturally on the hip or true waist. Constructed with IRO’s signature nonchalance, the skirt falls to a midi length that clears the ankle, revealing just a hint of the foot. The proportions are deliberate: the volume at the waist is contained by the long, straight drop, so the silhouette remains elongated rather than wide. There is no lining to weigh it down; the eyelet work allows the skirt to float slightly, catching air as you walk. The model, at 177 cm, wears a size S, and the fit lands with a generous ease—room to move, but never swimming in fabric. Movement is where this skirt reveals its character. With each step, the horizontal bands of broderie anglaise shift and stack, creating a soft, rippling effect that echoes the waist ruffles. It is graceful without being precious, delicate without being fragile. This is a skirt for days that demand both polish and ease: a late summer lunch in the Marais, a gallery opening where the air is cool, a weekend in the country with a linen blazer thrown over a tank. Tuck a fine-gauge cashmere sweater into the waist for a textural contrast, or pair it with a cropped leather jacket and flat sandals to play up the hard-soft dichotomy. The color—a deep, dusty red—reads as a neutral in the right light, grounding the ornamentation and making the skirt as versatile as it is distinctive.
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IRO | Broderie Anglaise Long Skirt - Dusty Red
IRO | Broderie Anglaise Long Skirt - Dusty Red
A skirt that refuses to be demure. IRO’s Broderie Anglaise Long Skirt arrives with a deliberate tension: the waist is a froth of gathered ruffles, elasticized for ease, while the body drops in a long, lean column that skims rather than clings. The cut is architectural yet soft, a study in controlled volume. Horizontal bands of broderie anglaise—those tiny, repeated eyelet motifs—puncture the fabric in measured intervals, creating a subtle grid of texture that breaks the light as you move. It is a piece that reads as both romantic and rigorous, a paradox that feels distinctly Parisian. The hand of the fabric is crisp without being stiff, a cotton-based weave that holds its shape but yields to the body’s motion. The broderie anglaise is not embroidered over a base; it is cut into the cloth itself, leaving delicate openwork that breathes against the skin. This gives the skirt a tactile lightness—cool to the touch, airy in weight—while the horizontal patterning adds a quiet structural rhythm. The ruffles at the waist are softly gathered, never fussy, and the elastic waistband ensures a clean, comfortable fit that sits naturally on the hip or true waist. Constructed with IRO’s signature nonchalance, the skirt falls to a midi length that clears the ankle, revealing just a hint of the foot. The proportions are deliberate: the volume at the waist is contained by the long, straight drop, so the silhouette remains elongated rather than wide. There is no lining to weigh it down; the eyelet work allows the skirt to float slightly, catching air as you walk. The model, at 177 cm, wears a size S, and the fit lands with a generous ease—room to move, but never swimming in fabric. Movement is where this skirt reveals its character. With each step, the horizontal bands of broderie anglaise shift and stack, creating a soft, rippling effect that echoes the waist ruffles. It is graceful without being precious, delicate without being fragile. This is a skirt for days that demand both polish and ease: a late summer lunch in the Marais, a gallery opening where the air is cool, a weekend in the country with a linen blazer thrown over a tank. Tuck a fine-gauge cashmere sweater into the waist for a textural contrast, or pair it with a cropped leather jacket and flat sandals to play up the hard-soft dichotomy. The color—a deep, dusty red—reads as a neutral in the right light, grounding the ornamentation and making the skirt as versatile as it is distinctive.
Original: $259.00
-65%$259.00
$90.65Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
A skirt that refuses to be demure. IRO’s Broderie Anglaise Long Skirt arrives with a deliberate tension: the waist is a froth of gathered ruffles, elasticized for ease, while the body drops in a long, lean column that skims rather than clings. The cut is architectural yet soft, a study in controlled volume. Horizontal bands of broderie anglaise—those tiny, repeated eyelet motifs—puncture the fabric in measured intervals, creating a subtle grid of texture that breaks the light as you move. It is a piece that reads as both romantic and rigorous, a paradox that feels distinctly Parisian. The hand of the fabric is crisp without being stiff, a cotton-based weave that holds its shape but yields to the body’s motion. The broderie anglaise is not embroidered over a base; it is cut into the cloth itself, leaving delicate openwork that breathes against the skin. This gives the skirt a tactile lightness—cool to the touch, airy in weight—while the horizontal patterning adds a quiet structural rhythm. The ruffles at the waist are softly gathered, never fussy, and the elastic waistband ensures a clean, comfortable fit that sits naturally on the hip or true waist. Constructed with IRO’s signature nonchalance, the skirt falls to a midi length that clears the ankle, revealing just a hint of the foot. The proportions are deliberate: the volume at the waist is contained by the long, straight drop, so the silhouette remains elongated rather than wide. There is no lining to weigh it down; the eyelet work allows the skirt to float slightly, catching air as you walk. The model, at 177 cm, wears a size S, and the fit lands with a generous ease—room to move, but never swimming in fabric. Movement is where this skirt reveals its character. With each step, the horizontal bands of broderie anglaise shift and stack, creating a soft, rippling effect that echoes the waist ruffles. It is graceful without being precious, delicate without being fragile. This is a skirt for days that demand both polish and ease: a late summer lunch in the Marais, a gallery opening where the air is cool, a weekend in the country with a linen blazer thrown over a tank. Tuck a fine-gauge cashmere sweater into the waist for a textural contrast, or pair it with a cropped leather jacket and flat sandals to play up the hard-soft dichotomy. The color—a deep, dusty red—reads as a neutral in the right light, grounding the ornamentation and making the skirt as versatile as it is distinctive.
